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The Canonization of Two Underground Classics: Howard O'Hagan's Tay John and Malcolm Lowry's Under the Volcano Fee, Margery
Abstract
The reception of O'Hagan's Tay John and that of Lowry's Under the Volcano is compared. Although both authors were familiar with avant-garde modernist writing and art, O'Hagan buried his sophisticated allusions and presented himself, not as a well-educated lawyer, but as a "mountain man." Lowry appealed to a much wider audience.
Item Metadata
Title |
The Canonization of Two Underground Classics: Howard O'Hagan's Tay John and Malcolm Lowry's Under the Volcano
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Creator | |
Publisher |
ECW
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Date Issued |
1992
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Description |
The reception of O'Hagan's Tay John and that of Lowry's Under the Volcano is compared. Although both authors were familiar with avant-garde modernist writing and art, O'Hagan buried his sophisticated allusions and presented himself, not as a well-educated lawyer, but as a "mountain man." Lowry appealed to a much wider audience.
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Extent |
993890 bytes
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Subject | |
Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2009-08-04
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Provider |
Vancouver : University of British Columbia Library
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Rights |
Attribution-NonCommercial-NoDerivatives 4.0 International
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DOI |
10.14288/1.0074540
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URI | |
Affiliation | |
Citation |
Margery Fee. "The Canonization of Two Underground Classics: Howard O'Hagan's Tay John and Malcolm Lowry's Under the Volcano." In Silence Made Visible: Howard O'Hagan and Tay John. Ed, Fee. Toronto: ECW, 1992. 85-91.
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Peer Review Status |
Reviewed
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Scholarly Level |
Faculty
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Copyright Holder |
ECW Press
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Rights URI | |
Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International