- Library Home /
- Search Collections /
- Open Collections /
- Browse Collections /
- UBC Theses and Dissertations /
- Kabuki in New York, 1900-1969: the developing American...
Open Collections
UBC Theses and Dissertations
UBC Theses and Dissertations
Kabuki in New York, 1900-1969: the developing American interest and response Thornbury, Barbara Ellen
Abstract
American acquaintance with Kabuki began before World War II, although sustained interest did not begin to develop until after the war. In fact, Kabuki became known in the United States largely because a number of influential American authors and theatre people responded enthusiastically to this Japanese theatre form, which they had seen during the Occupation. On returning to America, these people wrote about Kabuki and made efforts to bring a troupe on a visit to New York City and other parts of the country. Subsequently, the Azuma Kabuki Dancers and Musicians came in 1954 and again in 1955-56, and the Grand Kabuki visited in 1960 and 1969. Focusing on New York, the paper outlines the history of Kabuki performances in America and traces the development of interest, mainly by showing how those writing in newspapers and popular magazines responded to Kabuki over the years. Despite problems of diplomacy and the technical difficulties in transporting a" full-sized troupe abroad, a wide base of interest had been established by the time of the last troupe's visit in 1969.
Item Metadata
Title |
Kabuki in New York, 1900-1969: the developing American interest and response
|
Creator | |
Publisher |
University of British Columbia
|
Date Issued |
1975
|
Description |
American acquaintance with Kabuki began before World War II, although sustained interest did not begin to develop until after the war. In fact, Kabuki became known in the United States largely because a number of influential American authors and theatre people responded enthusiastically to this Japanese theatre form, which they had seen during the Occupation. On returning to America, these people wrote about Kabuki and made efforts to bring a troupe on a visit to New York City and other parts of the country. Subsequently, the Azuma Kabuki Dancers and Musicians came in 1954 and again in 1955-56, and the Grand Kabuki visited in 1960 and 1969.
Focusing on New York, the paper outlines the history of Kabuki performances in America and traces the development of interest, mainly by showing how those writing in newspapers and popular magazines responded to Kabuki over the years. Despite problems of diplomacy and the technical difficulties in transporting a" full-sized troupe abroad, a wide base of interest had been established by the time of the last troupe's visit in 1969.
|
Genre | |
Type | |
Language |
eng
|
Date Available |
2010-02-02
|
Provider |
Vancouver : University of British Columbia Library
|
Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
|
DOI |
10.14288/1.0093514
|
URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
|
Campus | |
Scholarly Level |
Graduate
|
Aggregated Source Repository |
DSpace
|
Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.