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Aural cuing as a stimulus for revision of expository composition at the grade-eleven level McCallum, Robin I.
Abstract
The purpose of the study was to examine the effect on the expository writing of grade-eleven students of an aural revision cue. 162 students were randomly assigned to three treatment groups and were asked to produce three drafts of an expository composition. The first treatment group had access to its first draft while composing the second draft; the second group reread its first draft prior to redrafting, but did not have access to the first draft while rewriting; the third group had access to a recording of the first draft, but not to the written first draft. For the third draft, all groups had access to both their previous drafts. The results showed that those subjects who received an aural cue produced significantly better final drafts than those students who redrafted using the traditional visual stimulus—their previous draft. Furthermore, the former diagnosed significantly more text-base errors in their compositions, and when revising executed significantly more changes affecting meaning, both at the paragraph and the macrotext level. The experimental group diagnosed and executed significantly fewer cosmetic changes. Additionally, the experimental group employed significantly more parallel and extended parallel topical progressions than did the control group. Treatment group two did not perform significantly better than treatment group one which received the traditional graphic cue. However, the subjects of treatment groups two and three had a common reaction to the absence of their first draft text: they were cautious and critical in their evaluations of their second drafts. The subjects of treatment group one, in marked contrast, gave very positive evaluations after the first revision session. Despite a stated dislike of the experimental treatment, the E.S.L. subjects of treatment group three achieved double the quality increase of the E.S.L. students in treatment group one. Interviews conducted with subjects of the experimental treatment support the notion that such a stimulus may serve as a powerful heuristic for revision. Students commented on the potential usefulness of the aural cue for overcoming textual saliency, for achieving a sense of distance from their work and a sense of audience, and for diagnosing problems of logic and meaning in their work.
Item Metadata
Title |
Aural cuing as a stimulus for revision of expository composition at the grade-eleven level
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Creator | |
Publisher |
University of British Columbia
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Date Issued |
1992
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Description |
The purpose of the study was to examine the effect on the expository writing
of grade-eleven students of an aural revision cue. 162 students were
randomly assigned to three treatment groups and were asked to produce
three drafts of an expository composition. The first treatment group had
access to its first draft while composing the second draft; the second group
reread its first draft prior to redrafting, but did not have access to the first
draft while rewriting; the third group had access to a recording of the first
draft, but not to the written first draft. For the third draft, all groups had
access to both their previous drafts.
The results showed that those subjects who received an aural cue
produced significantly better final drafts than those students who redrafted
using the traditional visual stimulus—their previous draft. Furthermore, the
former diagnosed significantly more text-base errors in their compositions,
and when revising executed significantly more changes affecting meaning,
both at the paragraph and the macrotext level. The experimental group
diagnosed and executed significantly fewer cosmetic changes. Additionally,
the experimental group employed significantly more parallel and extended
parallel topical progressions than did the control group.
Treatment group two did not perform significantly better than
treatment group one which received the traditional graphic cue. However,
the subjects of treatment groups two and three had a common reaction to the
absence of their first draft text: they were cautious and critical in their
evaluations of their second drafts. The subjects of treatment group one, in
marked contrast, gave very positive evaluations after the first revision
session. Despite a stated dislike of the experimental treatment, the E.S.L. subjects of treatment group three achieved double the quality increase of the
E.S.L. students in treatment group one.
Interviews conducted with subjects of the experimental treatment
support the notion that such a stimulus may serve as a powerful heuristic for
revision. Students commented on the potential usefulness of the aural cue
for overcoming textual saliency, for achieving a sense of distance from their
work and a sense of audience, and for diagnosing problems of logic and
meaning in their work.
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Extent |
5324591 bytes
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Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2008-12-18
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Provider |
Vancouver : University of British Columbia Library
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Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
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DOI |
10.14288/1.0078093
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
1992-11
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Campus | |
Scholarly Level |
Graduate
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Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.