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UBC Theses and Dissertations
"Cinema for where you live": spectatorship, subjectivity and space Hicks, Nicola Emma
Abstract
Film theory's critical engagements with the spectator's relationships with the moving image have, over the last decade, reached something of a critical impasse. This impasse has crystallised around the inability of dominant psychoanalytic and ethnographic discourses to theorise "ways of seeing" and positions of desire that are neither completely hegemonic (structured by ideology) nor counter-hegemonic (fuelled by agency), but which fall into the space of contradiction and disjuncture that exists in-between their assumptions. In this thesis, I bring recent debates around subjectivity and geographical projects of "mapping the subject" to bear upon spectator ship. I explore the ways in which viewing spectatorship through this lens of space provides a critical language that interrogates the terrain of "in-betweenness" that marks spectatorship. I argue that, through its flexibility and inclusivity, a spatial approach to spectatorship allows us to theorise the notion of spectatorial hybridity, and conceive of alternative positions of desire in the cinema. In order to capture the multiple and mutable dynamics of spectatorship, this work contains two distinct but interrelated projects. First, it reveals and analyses the ways in which the language of space is already operative in film theory, uncovering the fabrics of spatiality that underlie existing theorisations of spectatorship. Second, it follows its own inquiry into the "spaces of spectatorship", measuring the validity of the project of "locating the spectator" against the real relations between played out between subjects, spaces and cinema in Vancouver.
Item Metadata
Title |
"Cinema for where you live": spectatorship, subjectivity and space
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Creator | |
Publisher |
University of British Columbia
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Date Issued |
1997
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Description |
Film theory's critical engagements with the spectator's relationships with the moving
image have, over the last decade, reached something of a critical impasse. This impasse
has crystallised around the inability of dominant psychoanalytic and ethnographic
discourses to theorise "ways of seeing" and positions of desire that are neither completely
hegemonic (structured by ideology) nor counter-hegemonic (fuelled by agency), but
which fall into the space of contradiction and disjuncture that exists in-between their
assumptions. In this thesis, I bring recent debates around subjectivity and geographical
projects of "mapping the subject" to bear upon spectator ship. I explore the ways in which
viewing spectatorship through this lens of space provides a critical language that
interrogates the terrain of "in-betweenness" that marks spectatorship. I argue that,
through its flexibility and inclusivity, a spatial approach to spectatorship allows us to
theorise the notion of spectatorial hybridity, and conceive of alternative positions of
desire in the cinema. In order to capture the multiple and mutable dynamics of
spectatorship, this work contains two distinct but interrelated projects. First, it reveals
and analyses the ways in which the language of space is already operative in film theory,
uncovering the fabrics of spatiality that underlie existing theorisations of spectatorship.
Second, it follows its own inquiry into the "spaces of spectatorship", measuring the
validity of the project of "locating the spectator" against the real relations between played
out between subjects, spaces and cinema in Vancouver.
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Extent |
6641908 bytes
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Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2009-03-10
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Provider |
Vancouver : University of British Columbia Library
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Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
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DOI |
10.14288/1.0099152
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
1997-05
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Campus | |
Scholarly Level |
Graduate
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Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.